Image above by Cas Kerssens
This project started with the story. Even before New Balance was ‘onboard’ we started crafting the story with the main characters. So when New Balance came onboard, it was obvious that we would have the freedom any filmmaker dreams of.
It’s the a-typical father-son story. The stories of athletes stepping into the footsteps of their father (like Max Verstappen and Daley Blind) are endless, but you don’t come across a story like this every day. Jessey learned boxing from his father who was a Dutch National boxing champion, but instead of becoming a boxer, he used his training to become a professional basketball player.
Before this story came along, I fantasised about telling the story of one the best boxers of our time; Vasyl Lomatsjenko. He quit boxing to become a dancer for 4 years, and by doing so he developed incredible footwork. When we approached him, he was already working on a documentary unfortunately. When I learned that Jessey’s footwork and speed on the basketball court were developed through boxing it fuelled my interest in their story.
Images below by Cas Kerssens
I was searching for a way to bring an artistic touch to my documentary filmmaking portfolio. In sports shorts there are a lot of vignette films being made at the moment, as well as more linear documentary stories. The video clip format lends itself for less ‘direct’ storytelling, especially since the lyrics of our sound-track didn’t explicitly tell the story either.
I was hugely inspired by the videoclip River by Leon Bridges. What I love about the film is that the soundtrack and the imagery both tell their own story, but you feel they are connected. I wanted to create a more secondary storyline through the lyrics of the soundtrack.
Jessey's struggle symbolises the father-son theme that is so apparent for many of us. How much do we pressure our kids to become like us? To maybe fulfil the dreams that we didn't accomplish? I am a father myself, and find myself basically raising my kid to be like a mini-me :) I’ve been teaching him boxing since before he could walk, and he recently joined a field-hockey club because I was into that sport when I was young. So working with the drama and character development within this theme was a personal journey for me as well.
I love the cinematography of the film. I think it really stands out thanks to DP Jurgen Lisse, who really had the opportunity to pour his heart out in the film. I also enjoyed scouting the cast. By going to boxing classes in different gyms, I scouted talent to play the younger versions of Jessey and Ramon’s characters.
Because the main cast weren't necessarily actors, it created a bit more authenticity for me personally, knowing that these characters had a similar story in their life.
Don’t compromise on location. We really scoured the Netherlands to find the right locations, because we didn’t want this film to look Dutch. I disapproved of hundreds of locations, which made me feel like a proper asshole at times towards our producers. It sometimes seems unreasonable to keep saying no, but in the end everyone was glad that we pushed through on that aspect.
Images below by Cas Kerssens
Listen to music.
We share inspiration with each other on a weekly basis in set time slots where each person from within the company gets the chance to curate 3 videos and share their opinion with the team. A beer also helps.
Be confident. Especially when you are setting up a project without a briefing from an agency, you have to be completely confident the project is going to happen, otherwise it won’t.
Read more about Rooted in Shadow in our Digital Awards Gallery and read the full Jury Feedback Report here.
Entries to the Dutch Creativity Awards 2021 will start at the end of April. For more information about the Awards, see here.